I am happy to share another excellent movie out of India (you may recall that I recommended Tumbaad not long ago). This story revolves around a rampaging Water Buffalo, but it’s a lot more interesting than that might make you think. Human folly is on full display, with scenes ranging from hilarious to quite dark. There are a few slow moments, but overall this film is awesome, and beautifully shot. The soundtrack is damn good too. Jallikattu is available on Prime, in 4k no less.
This is a damn good horror film based on Clive Barker’s story “The Last Illusion,” and directed by the man himself. I’d say this only comes in second to Hellraiser among films he’s helmed. It’s cheesy as hell. In spite of that fact, Barker thankfully ditched the one-liners that plagued Nightbreed. I watched this again recently, for the first time in ages, and found the cheese on display quite charming. If you are a Seinfeld fan, the Fromage Knob is turned to 11, because the bad guy was once George Costanza’s boss Mr. Kruger. Don’t take that the wrong way, Daniel Von Bargen (RIP), was a fantastic actor, and this is his best role by far. It’s just hard to not picture him menacing George instead of Famke Jansen. Two major plusses for this film are that it’s extremely gory, and there’s a ton of Barker’s awesome art and design on display. The CG is a little dated, but it didn’t bother me all that much. The version on Prime is the director’s cut, and the restoration looks quite good too.
If you can’t get past the primitive look and FX of Star Trek: The Original Series, read no further. You will not appreciate Planet of the Vampires. I grew up watching TOS and still love it, so this movie was very enjoyable. If you’ve seen any of Mario Bava’s early, fog and color drenched work, imagine it as a feature-length Star Trek episode. That with way more experimental electronic music, far better uniforms, and a proto-Alien (1979) feel. Except wait a second… Bava made this BEFORE Star Trek ever aired. Yes this movie is cheesy, but I love it, warts and all. I also have a feeling that blood on the crew’s insignias might have a deeper meaning. That or Mario just thought it looked cool.
The Troubles are the setting of this very original action / drama. The balance of those genres is well handled, and everything is beautifully filmed. The film’s tension is enhanced by a powerful, bass-heavy, John Carpenter-meets-Godspeed soundtrack. This is pretty dark stuff, but well worth your time.
The following was my first Patreon post, and will be in the upcoming Anomalous Cinema book. I was so happy to see that this film is streaming in 1080p HD, I just had to share it here too. Enjoy.
Mark is a sad, but somehow lovable, serial killer with a unique murder technique. You might not think that would be the plot of one of the very best films ever made, but it is.
The first time I saw this was on a terrible VHS tape. The colors were washed out and the movie was cropped from it’s original aspect ratio. I liked the story but wasn’t impressed. A couple of years later I got to see a restored 35 mm print, and the difference was unbelievable. The saturated colors alone made such a huge impression. Seeing it properly presented made it one of my all time favorite films.
I really want to avoid talking about specific format releases on Anomalous Cinema, but I will ignore that for this one movie. The reason is the Criterion Collection DVD. I bought a copy shortly after seeing the film print, and it’s really an amazing release. The extras include a long documentary on Leo Marks, who wrote the screenplay. What a revelation that was. Marks is one of the most interesting people I’ve ever learned about. We’re talking William S. Burroughs level interesting. I was so fascinated by Leo Marks I read his book “Between Silk and Cyanide: A Codemaker’s War, 1941-1945” even though it has nothing to do with Peeping Tom or movies in general.
My experience with this one has been a gradual revelation. Peeping Tom remains a film that I’ve watched over and over, which is very rare for me.
Streaming on Amazon Prime (free with ads) | imdb | trailer
I am a little ashamed to say that I had never heard of Mexican crime photographer Enrique Metinides before. Thanks to this film I am now a certified fan. First there’s the man himself, who is a charming eccentric. Then there’s his work, which is beautiful, but as morbidly graphic as photography can get. To top it off you get to see Metinides interacting with his toy collections, which gets downright touching at times. I say this documentary is perfect and give it my most enthusiastic recommendation. One little side note, at the beginning as he’s talking about his first camera, the Brownie Junior, I looked down and noticed that I have the identical model sitting right below my TV. Cue The Twilight Zone theme.
I’ve been wanting to feature an Indian movie for a long time, but nothing has struck me as good enough. I was going to direct you to check out Veerana: Vengeance of the Vampire / Purani Haveli: Mansion of Evilbut that Mondo Macabro disc is selling for crazy collector prices now (maybe try a torrent search). Anyhow, Tumbbad was a real pleasure to find as it’s easily the best Indian film I’ve ever seen, of any genre. It’s super dark, and there’s very little of the silly humor that plagues most Bollywood films. Most important, it is genuinely creepy. Some of the CG isn’t quite up to current standards, but don’t let that keep you away. This is an excellent film with a damn good soundtrack to boot. Oh and by the way, smoking is injurious to your health.
The following text is from a little art-slanted curated shelf I did at my beloved local video store Movie Madness a while back…
Lucio Fulci was a huge fan of Antonin Artaud and knew a thing or two about art. Sadly I believe he thought he was stuck grinding out crap cinema for a paycheck. Just watch this and imagine it with no music. You’d swear it’s some unholy mutant child of Luis Buñuel and The Chapman Brothers.
Note: Of course I don’t think Fulci’s work was crap. Critics and moralists did, maybe Lucio himself from time to time. I have featured Don’t Torture a Duckling here and also love his films The Beyond, Beatrice Cenci, A Cat in the Brain, Zombi, and Contraband, among others.
Well, if this isn’t Anomalous Cinema, I don’t know what is. Here is one of the more art film-influenced giallos. Godard’s Weekend came out a year before, and there’s a definite influence. It is also one of the more bizarre entries in the subgenre. Bizarre in the sense it’s surrealistic, and a lot of the set decoration looks like strange contemporary art. Death Laid an Egg is also not as violent or graphic as later gialli, but don’t let that stop you from seeing this one. The cinematography is spot-on, the lead performances are great (I always love to see Jean-Louis Trintignant), and the weird plot will keep your eyes glued to the screen.
The version streaming on Prime looks good, but seems a tiny bit cropped, and is not 1080p. It is also a shorter version than is available on the most recent disc release (I believe the one on Prime is the approx 90 min. “Giallo Version” that Cult Epics released). That’s ok, it’s still definitely worth checking out this streaming version. If you really enjoy the film, you may want to invest in the 2018 UK import from Nucleus. You can read a very detailed review and breakdown of the various disc versions on Nathaniel Thompson’s excellent Mondo Digital website. His book series DVD Delirium was a big influence on my taste in movies.
In the ’70s many star-studded thrillers were made (The Towering Inferno, The Poseidon Adventure, etc). None of them really impressed me all that much except this one. The Cassandra Complex is a crazy pebble, that rolls into a crazy snowball, that eventually becomes an avalanche of crazy. This is NOT a five star film. It should be terrible actually, but it’s not. What you get is a very entertaining mess, with seemingly every known working actor of the time thrown in. Get ready for a fun ride on the Crazy Train.