As you may know, I am a huge fan of director Ben Wheatley (High-Rise, Rebecca, and Free Fire have all been recommended here). This is one of his most bizarre films, and I thoroughly enjoyed it. It’s a dark psychedelic experience set in 1648. Think Altered States meets a period Hammer Horror film. It is slower paced than some of than director’s other work, but you will not be bored. This is truly original filmmaking that is not to be missed. Also, if you happen to have The Criterion Channel, I highly recommend you check out Wheatley’s Kill List.
A trained assassin can take over any person, and use their body to do the killing. This beautifully lensed film starts with a bang and does not let up. Lead actress Andrea Riseborough is spot on, and Christopher Abbott (from the very good Catch 22 mini-series) is a perfect choice too. This film features innovative looking dark psychedelic interludes, which up the game on SpectreVision (who produced Mandy also starring Riseborough). Possessor also features pretty graphic sex, and very graphic violence with some excellent gore FX. There’s even a pseudo J&B bottle nod to Italian horror films of yesteryear. Jim Williams (Kill List, Sightseers) provided a top-notch dark ambient electronic score that sounded killer in headphones. Yes, yes… this was written and directed by David Cronenberg’s son, so there are nods to Videodrome and Existenz (which also starred Jennifer Jason Leigh), but they are handled in a really smart and next-level way. You will have no idea where the movie will end up, and it’s wonderful. Pitch black but wonderful.
I am a bit biased about this film, as my first experience was in at a revival screening just a few years ago. Seeing a previously missed, good older movie, on celluloid is one of favorite things in life. That means that I like this silly horror movie a little more than I should. I found it to be very amusing from start to finish. I laughed out loud multiple times, and not at unintentionally funny scenes. The Video Dead also has some effective makeup FX and low-budget set pieces. Give it a try, but keep your expectations low.
I’m picky about horror comedies, but this is a good one. Nicholas Cage does his thing as dad without slipping into Wicker Man level ridiculousness, and Selma Blair is the perfect choice as mom. The pace is pretty relentless, and the end ramps up the crazy even further. The filmmakers have done an admirable job at keeping the movie effective, and not as silly as it could have easily become in lesser hands.
If you can’t get past the primitive look and FX of Star Trek: The Original Series, read no further. You will not appreciate Planet of the Vampires. I grew up watching TOS and still love it, so this movie was very enjoyable. If you’ve seen any of Mario Bava’s early, fog and color drenched work, imagine it as a feature-length Star Trek episode. That with way more experimental electronic music, far better uniforms, and a proto-Alien (1979) feel. Except wait a second… Bava made this BEFORE Star Trek ever aired. Yes this movie is cheesy, but I love it, warts and all. I also have a feeling that blood on the crew’s insignias might have a deeper meaning. That or Mario just thought it looked cool.
The following was my first Patreon post, and will be in the upcoming Anomalous Cinema book. I was so happy to see that this film is streaming in 1080p HD, I just had to share it here too. Enjoy.
Mark is a sad, but somehow lovable, serial killer with a unique murder technique. You might not think that would be the plot of one of the very best films ever made, but it is.
The first time I saw this was on a terrible VHS tape. The colors were washed out and the movie was cropped from it’s original aspect ratio. I liked the story but wasn’t impressed. A couple of years later I got to see a restored 35 mm print, and the difference was unbelievable. The saturated colors alone made such a huge impression. Seeing it properly presented made it one of my all time favorite films.
I really want to avoid talking about specific format releases on Anomalous Cinema, but I will ignore that for this one movie. The reason is the Criterion Collection DVD. I bought a copy shortly after seeing the film print, and it’s really an amazing release. The extras include a long documentary on Leo Marks, who wrote the screenplay. What a revelation that was. Marks is one of the most interesting people I’ve ever learned about. We’re talking William S. Burroughs level interesting. I was so fascinated by Leo Marks I read his book “Between Silk and Cyanide: A Codemaker’s War, 1941-1945” even though it has nothing to do with Peeping Tom or movies in general.
My experience with this one has been a gradual revelation. Peeping Tom remains a film that I’ve watched over and over, which is very rare for me.
I’ve been wanting to feature an Indian movie for a long time, but nothing has struck me as good enough. I was going to direct you to check out Veerana: Vengeance of the Vampire / Purani Haveli: Mansion of Evilbut that Mondo Macabro disc is selling for crazy collector prices now (maybe try a torrent search). Anyhow, Tumbbad was a real pleasure to find as it’s easily the best Indian film I’ve ever seen, of any genre. It’s super dark, and there’s very little of the silly humor that plagues most Bollywood films. Most important, it is genuinely creepy. Some of the CG isn’t quite up to current standards, but don’t let that keep you away. This is an excellent film with a damn good soundtrack to boot. Oh and by the way, smoking is injurious to your health.
The following text is from a little art-slanted curated shelf I did at my beloved local video store Movie Madness a while back…
Lucio Fulci was a huge fan of Antonin Artaud and knew a thing or two about art. Sadly I believe he thought he was stuck grinding out crap cinema for a paycheck. Just watch this and imagine it with no music. You’d swear it’s some unholy mutant child of Luis Buñuel and The Chapman Brothers.
Note: Of course I don’t think Fulci’s work was crap. Critics and moralists did, maybe Lucio himself from time to time. I have featured Don’t Torture a Duckling here and also love his films The Beyond, Beatrice Cenci, A Cat in the Brain, Zombi, and Contraband, among others.
I saw an early screening of Alexandre Aja’s High Tension at the Philadelphia film fest and really enjoyed it. I hoped that he’d become the next great horror director. That didn’t really happen. However Aja has managed to make several entertaining genre films over the years. Crawl is not as intense as his 2006 reboot of The Hills Have Eyes, but I liked it. It’s a solid, well-constructed, horror thriller with some genuinely chilling moments. Expect no more and you won’t be disappointed.