This is a solid crime thriller with some good, at times extremely graphic, bursts of action. The cinematography looks great as well. Saturated colors and deep shadows are featured. It’s nice to see Robert Forster (Jackie Brown, Walking the Edge, Alligator, etc) given lots of screen time. Small Town Crime is an enjoyable dark film, with a lot packed into 90 minutes.
Most trailers that look like this one equal a garbage film. That is 100% not the case here. You’re Next is a very entertaining combo of horror, action, and comedy. Simple. Watch and enjoy. The cherry on top is that the Mom is Barbara Crampton of Re-Animator and From Beyond.
I didn’t expect much when I first saw this film. I ended up very pleasantly surprised. It’s an excellent thriller that looks damn-near perfect. Nocturnal Animals is more centered in drama than violence, but it’s still very dark in all the best ways. Some critics even called it “cynical.” No wonder I liked it so much.
A trained assassin can take over any person, and use their body to do the killing. This beautifully lensed film starts with a bang and does not let up. Lead actress Andrea Riseborough is spot on, and Christopher Abbott (from the very good Catch 22 mini-series) is a perfect choice too. This film features innovative looking dark psychedelic interludes, which up the game on SpectreVision (who produced Mandy also starring Riseborough). Possessor also features pretty graphic sex, and very graphic violence with some excellent gore FX. There’s even a pseudo J&B bottle nod to Italian horror films of yesteryear. Jim Williams (Kill List, Sightseers) provided a top-notch dark ambient electronic score that sounded killer in headphones. Yes, yes… this was written and directed by David Cronenberg’s son, so there are nods to Videodrome and Existenz (which also starred Jennifer Jason Leigh), but they are handled in a really smart and next-level way. You will have no idea where the movie will end up, and it’s wonderful. Pitch black but wonderful.
I’m picky about horror comedies, but this is a good one. Nicholas Cage does his thing as dad without slipping into Wicker Man level ridiculousness, and Selma Blair is the perfect choice as mom. The pace is pretty relentless, and the end ramps up the crazy even further. The filmmakers have done an admirable job at keeping the movie effective, and not as silly as it could have easily become in lesser hands.
Streaming on Netflix | imdb | trailer (English – WATCH THE MOVIE IN SPANISH W/ SUBS)
Netflix delivers another entertaining Spanish thriller. The whole thing is improbable to the extreme, so forget about suspending your disbelief. It doesn’t matter because The Occupant looks great, the performances are spot on, and it has some wonderfully twisted moments. A word of warning though, some people HATED this movie. I’d say watch without expectations. Let the movie do it’s thing. If you generally appreciate the films I recommend on Anomalous Cinema, there’s a good chance you’ll like this as much as I did. Not feeling a little adventurous? Pick something else.
The following was my first Patreon post, and will be in the upcoming Anomalous Cinema book. I was so happy to see that this film is streaming in 1080p HD, I just had to share it here too. Enjoy.
Mark is a sad, but somehow lovable, serial killer with a unique murder technique. You might not think that would be the plot of one of the very best films ever made, but it is.
The first time I saw this was on a terrible VHS tape. The colors were washed out and the movie was cropped from it’s original aspect ratio. I liked the story but wasn’t impressed. A couple of years later I got to see a restored 35 mm print, and the difference was unbelievable. The saturated colors alone made such a huge impression. Seeing it properly presented made it one of my all time favorite films.
I really want to avoid talking about specific format releases on Anomalous Cinema, but I will ignore that for this one movie. The reason is the Criterion Collection DVD. I bought a copy shortly after seeing the film print, and it’s really an amazing release. The extras include a long documentary on Leo Marks, who wrote the screenplay. What a revelation that was. Marks is one of the most interesting people I’ve ever learned about. We’re talking William S. Burroughs level interesting. I was so fascinated by Leo Marks I read his book “Between Silk and Cyanide: A Codemaker’s War, 1941-1945” even though it has nothing to do with Peeping Tom or movies in general.
My experience with this one has been a gradual revelation. Peeping Tom remains a film that I’ve watched over and over, which is very rare for me.
Jake Gyllenhaal makes very strange career choices, and I absolutely respect that. In this one he plays a creep like you wouldn’t believe. Nightcrawler is a none-more-black satire that starts slow but builds into insanity, and 100% solid Anomalous Cinema.
I am not a snob about remakes. I just approach them with a ton of caution (I refused to see Suspiria based on reviews). Sometimes remakes are amazing, like The Thing or The Hills Have Eyes. This one is a damn good “reimagining” of the original 1974 film. I love that movie, but this Pelham is enough of it’s own story to complement the original. When director Tony Scott (RIP) was good, he was better than most big-budget directors, and this is among his better films. Give this a shot when you’re in the mood for a fast-paced action thriller.
Well, if this isn’t Anomalous Cinema, I don’t know what is. Here is one of the more art film-influenced giallos. Godard’s Weekend came out a year before, and there’s a definite influence. It is also one of the more bizarre entries in the subgenre. Bizarre in the sense it’s surrealistic, and a lot of the set decoration looks like strange contemporary art. Death Laid an Egg is also not as violent or graphic as later gialli, but don’t let that stop you from seeing this one. The cinematography is spot-on, the lead performances are great (I always love to see Jean-Louis Trintignant), and the weird plot will keep your eyes glued to the screen.
The version streaming on Prime looks good, but seems a tiny bit cropped, and is not 1080p. It is also a shorter version than is available on the most recent disc release (I believe the one on Prime is the approx 90 min. “Giallo Version” that Cult Epics released). That’s ok, it’s still definitely worth checking out this streaming version. If you really enjoy the film, you may want to invest in the 2018 UK import from Nucleus. You can read a very detailed review and breakdown of the various disc versions on Nathaniel Thompson’s excellent Mondo Digital website. His book series DVD Delirium was a big influence on my taste in movies.