No, not the Umberto Lenzi movie! I saw this in the theater back when it came out, and loved it instantly. Orgazmo may be my favorite comedy of the ’90s. Get ready to for everyone to get way bummed out when Ron Jeremy shows up (the things we didn’t know back in 1997), but otherwise… good times. Intoxicants recommended.
The original One-Armed Swordsman was played by Wang Yu. This total reboot stars David Chiang, and it’s a blast. Here the Shaw Brothers go for more straight-forward action, not Five Elements Ninjas-type insanity. Don’t let that discourage you, this is a very entertaining martial arts film. Even the dramatic scenes kept my attention. Recommended, fast-paced action that is not for the whole family (what with the arm chopping and all).
Joel Peter Witkin is an influential photographer while his twin brother Jerome is a less celebrated, but excellent painter. This documentary talks about their lives, relationship, and a Mexico City exhibition of both artists’ work. Witkin & Witkin is not for sensitive viewers as it contains a lot of nudity, people with deformities, and dead bodies which make up the majority of Joel’s photographs, as well as some of Jerome’s source material. Overall this is a well made and revealing film that should appeal to anyone interested in contemporary visual art with a dark edge.
Robert Graysmith’s 1986 book version of Zodiac is a serious page turner. It’s one of the best I’ve true crime publications I’ve ever read. This adaptation isn’t perfect, but it’s pretty damned solid. I love the dark atmosphere, which David Fincher wisely ported over to Mindhunter. If somehow you missed this one, check it out.
This is mandatory viewing if you are a fan of cult movies. Sean Connery’s outfit alone should convince you. It’s definitely weird as hell, but be warned, it’s a bit dull. I think John Boorman was hoping to appeal to fans of Jodorowsky’s El Topo, as the audiences at that film’s midnight screenings were always stoned out of their skulls. In that frame of mind I would think Zardoz would not be dull in the least. It might even seem like you just saw the sci-fi equivalent of Citizen Kane. Hmmm… I hear pot is legal in some states.
Why the hell would anyone want to watch a ’60s car racing movie? I asked myself that same question and then realized it was directed by Jack Hill. He’s the man behind several excellent fast-paced action / exploitation movies including Coffy and Switchblade Sisters. This one isn’t nearly as violent, but damn it grips your attention just as well. You also get to see a young Ellen Burstyn from The Exorcist, and of course, Sid Haig (who didn’t know how to drive when they started production). I thoroughly enjoyed Pit Stop, so give it a chance.
FYI – there are two versions up on Amazon Prime. The better quality one begins with the Film Rise logo.
I almost didn’t recommend this one as it was on the Netflix Top 10 when it was first released, and has received a lot of press. However, The Platform deserves that attention AND is very much Anomalous Cinema. This movie skillfully blends horror and sci-fi, into a borderline-art film. Now let’s hope this leads to Netflix releasing more even more daring and intelligent weirdo features.
FYI – I recommend if you watch ANY foreign content made after 1990 on Netflix you do so in it’s original language with subtitles. Netflix’s English dubbing is absolutely horrible 99% of the time.
Streaming on Amazon Prime | imdb | trailer (sign-in necessary)
Henri-Georges Clouzot is responsible of two of my favorite European movies of the ’50s, The Wages of Fear and Diabolique. In 1964 he was given a huge budget to create an experimental drama combining his usual black and white photography with candy-colored hallucinatory sequences. The bad news is, pretty much everything went wrong, and the film was never completed. The good news is, we have this fantastic documentary. This is worth watching to see the trippy color scenes alone, but the rest of the story is absolutely engrossing as well. If you’d like to see another excellent unfinished movie, check out Andrzej Zulawski’s On the Sliver Globe.
Here’s a damn good Pedro Almodóvar comedy/drama that I really didn’t expect to enjoy it as much as I did. Sometimes humor does not translate via subtitles, but it all works here. The film is pretty wholesome but has some dark moments as well. Now Hulu just needs to get their hands on Matador.