After the death of Braveheart’s William Wallace, came Robert the Bruce. This film is based on the true story of the 14th century Scottish hero. It’s an entertaining but imperfect action / biopic. Any flaws are made up for with the battle sequence at the end. Outlaw King manages to touch on the good parts of historical war films like Mel Gibson made, without spoiling things with their Hollywood cheese. This was directed by the man behind the excellent Hell or High Water, which also starred Chris Pine. He does a damn good job in the lead role too.
I didn’t expect much when I first saw this film. I ended up very pleasantly surprised. It’s an excellent thriller that looks damn-near perfect. Nocturnal Animals is more centered in drama than violence, but it’s still very dark in all the best ways. Some critics even called it “cynical.” No wonder I liked it so much.
This is simply a very good, deliberately paced, revenge drama. The artwork might make you think Bad Day… is a violent shoot-em-up. No, but that’s really ok. The performances by Nigel O’Neill and Susan Lynch alone make it well worth a watch.
This movie will not make you smarter, but it’s a very entertaining action flick. The basic premise of a violent, first-person, sci-fi adventure, that happens to be well-executed, qualifies it as Anomalous Cinema alone. The cherry on top is that Hardcore Henry manages to ramp up the insane action as it goes along. Oh yeah, and Sharlto Copley is excellent in this. He even does a literal song and dance routine. That’s some sprinkles with your cherry. The whole thing could be dismissed as just plain stupid. I say it’s damned fun, and confirmed that on a second viewing last night. So turn off your logic circuits, and enjoy with your favorite psychoactive substance for the proper experience.
This recommendation is specifically for fans of director Ben Wheatley. I have seen the majority of his film output, and have enjoyed everything. The critical response to Rebecca has been unfavorable as Alfred Hitchcock made a very highly regarded adaptation of the book in 1940. I am a fan of Hitchcock but not enough to watch a mystery / romance (the latter being a genre I avoid). That was not the case with Wheatley’s film, which actually happens to be more faithful to the book. I took this 2020 adaptation for what it is, and I enjoyed it. I’m not going to watch it multiple times like High-Rise, but it’s a damn good film that I absolutely suggest Wheatley fans check out. If you like it, take a look at this article for an added layer. Thank you David Graham for nudging me into giving Rebecca a shot.
This is a very good revenge action / drama set during the Irish potato famine. It could easily be a Samurai movie, or Spaghetti Western, but the dark, muddy locations are a visual improvement on those genre’s usual settings. Several writers have made the connection to First Blood, which is indeed driven home by a scene in a “police station” and the music. The good thing is that Black ‘47 goes off in it’s own direction after that. Our anti-hero has much deeper motivation for his revenge than John Rambo. You will recognize several fine actors in this film, but I was most happy to see Hugo Weaving as the manhunter (pictured above). Don’t go into this expecting non-stop action. The pace is deliberate between the explosive scenes, but I was never bored. The balance of drama to action is just about perfect. Watch this instead of one of the zillion straight-to-Netflix shitshows, and I doubt you’ll regret it.
Streaming on Netflix | imdb | trailer (English – WATCH THE MOVIE IN SPANISH W/ SUBS)
Netflix delivers another entertaining Spanish thriller. The whole thing is improbable to the extreme, so forget about suspending your disbelief. It doesn’t matter because The Occupant looks great, the performances are spot on, and it has some wonderfully twisted moments. A word of warning though, some people HATED this movie. I’d say watch without expectations. Let the movie do it’s thing. If you generally appreciate the films I recommend on Anomalous Cinema, there’s a good chance you’ll like this as much as I did. Not feeling a little adventurous? Pick something else.
This is one of the least-typical films by David Cronenberg, but it’s a solid one for sure. Maps to the Stars is an entertaining dark comedy / satire of Hollywood that spins off in an unpredictable direction. I admire the originality here, and Mia Wasikowska is excellent. The only blemish is the use of some unnecessary CG. That is unfortunate but forgivable. Maybe you won’t even notice.
Jake Gyllenhaal makes very strange career choices, and I absolutely respect that. In this one he plays a creep like you wouldn’t believe. Nightcrawler is a none-more-black satire that starts slow but builds into insanity, and 100% solid Anomalous Cinema.
You will need to see The Good, the Bad and the Ugly before you watch this, as fans restore the set from the climax of the film. Thankfully Netflix has Leone’s masterpiece streaming right now as well. I had my doubts that this would be interesting, especially since it opens with Metallica in concert. I’m a die hard fan of the Cliff Burton years and not into much of their output since, some of which is downright shameful. The band is included because they have used the featured scene as their live opening video for a long time. I saw the tour they first used it, and yes, it was very effective. James Hetfield actually does say some very thoughtful things in this movie too. Anyhow, I had forgotten how big and beautifully designed the Sad Hill set was, and this documentary goes into a lot of detail about it. None of it is dull, and by the end, it all gets surprisingly emotional. They also talk about the making of the movie in general, so if you’re a fan this is a must-see. I was psyched to see Sergio Salvati interviewed in this as well. He’s why the classic Lucio Fulci movies look so good. My only real complaint is that the filmmakers animated almost all of the still photographs. I despise that technique. Leave photos alone people! Ahem… In spite of a couple of blemishes, this is a damn good documentary.