This is a very good revenge action / drama set during the Irish potato famine. It could easily be a Samurai movie, or Spaghetti Western, but the dark, muddy locations are a visual improvement on those genre’s usual settings. Several writers have made the connection to First Blood, which is indeed driven home by a scene in a “police station” and the music. The good thing is that Black ‘47 goes off in it’s own direction after that. Our anti-hero has much deeper motivation for his revenge than John Rambo. You will recognize several fine actors in this film, but I was most happy to see Hugo Weaving as the manhunter (pictured above). Don’t go into this expecting non-stop action. The pace is deliberate between the explosive scenes, but I was never bored. The balance of drama to action is just about perfect. Watch this instead of one of the zillion straight-to-Netflix shitshows, and I doubt you’ll regret it.
Streaming on Netflix | imdb | trailer (English – WATCH THE MOVIE IN SPANISH W/ SUBS)
Netflix delivers another entertaining Spanish thriller. The whole thing is improbable to the extreme, so forget about suspending your disbelief. It doesn’t matter because The Occupant looks great, the performances are spot on, and it has some wonderfully twisted moments. A word of warning though, some people HATED this movie. I’d say watch without expectations. Let the movie do it’s thing. If you generally appreciate the films I recommend on Anomalous Cinema, there’s a good chance you’ll like this as much as I did. Not feeling a little adventurous? Pick something else.
This is one of the least-typical films by David Cronenberg, but it’s a solid one for sure. Maps to the Stars is an entertaining dark comedy / satire of Hollywood that spins off in an unpredictable direction. I admire the originality here, and Mia Wasikowska is excellent. The only blemish is the use of some unnecessary CG. That is unfortunate but forgivable. Maybe you won’t even notice.
Jake Gyllenhaal makes very strange career choices, and I absolutely respect that. In this one he plays a creep like you wouldn’t believe. Nightcrawler is a none-more-black satire that starts slow but builds into insanity, and 100% solid Anomalous Cinema.
I am not a snob about remakes. I just approach them with a ton of caution (I refused to see Suspiria based on reviews). Sometimes remakes are amazing, like The Thing or The Hills Have Eyes. This one is a damn good “reimagining” of the original 1974 film. I love that movie, but this Pelham is enough of it’s own story to complement the original. When director Tony Scott (RIP) was good, he was better than most big-budget directors, and this is among his better films. Give this a shot when you’re in the mood for a fast-paced action thriller.
This is a solid, deliberately paced, creepy horror movie with an excellent soundtrack. The location is the star of the show though. That is the very real, very ominous, Danvers State Hospital (sadly it was demolished in 2006). The film was written for the location, and the crew did very little additional set dressing. It all works quite well. Session 9 is one to watch in the dark with popcorn. I’d add adult beverages into the mix too, but that’s me. You be you.
You will need to see The Good, the Bad and the Ugly before you watch this, as fans restore the set from the climax of the film. Thankfully Netflix has Leone’s masterpiece streaming right now as well. I had my doubts that this would be interesting, especially since it opens with Metallica in concert. I’m a die hard fan of the Cliff Burton years and not into much of their output since, some of which is downright shameful. The band is included because they have used the featured scene as their live opening video for a long time. I saw the tour they first used it, and yes, it was very effective. James Hetfield actually does say some very thoughtful things in this movie too. Anyhow, I had forgotten how big and beautifully designed the Sad Hill set was, and this documentary goes into a lot of detail about it. None of it is dull, and by the end, it all gets surprisingly emotional. They also talk about the making of the movie in general, so if you’re a fan this is a must-see. I was psyched to see Sergio Salvati interviewed in this as well. He’s why the classic Lucio Fulci movies look so good. My only real complaint is that the filmmakers animated almost all of the still photographs. I despise that technique. Leave photos alone people! Ahem… In spite of a couple of blemishes, this is a damn good documentary.
No, not the Umberto Lenzi movie! I saw this in the theater back when it came out, and loved it instantly. Orgazmo may be my favorite comedy of the ’90s. Get ready to for everyone to get way bummed out when Ron Jeremy shows up (the things we didn’t know back in 1997), but otherwise… good times. Intoxicants recommended.
Robert Graysmith’s 1986 book version of Zodiac is a serious page turner. It’s one of the best I’ve true crime publications I’ve ever read. This adaptation isn’t perfect, but it’s pretty damned solid. I love the dark atmosphere, which David Fincher wisely ported over to Mindhunter. If somehow you missed this one, check it out.
I almost didn’t recommend this one as it was on the Netflix Top 10 when it was first released, and has received a lot of press. However, The Platform deserves that attention AND is very much Anomalous Cinema. This movie skillfully blends horror and sci-fi, into a borderline-art film. Now let’s hope this leads to Netflix releasing more even more daring and intelligent weirdo features.
FYI – I recommend if you watch ANY foreign content made after 1990 on Netflix you do so in it’s original language with subtitles. Netflix’s English dubbing is absolutely horrible 99% of the time.