In a bleak future, Judge Dredd is a brutal super-cop who teams up with a trainee to take on a drug gang. I learned a major lesson with this one. I was so staunchly against big budget Hollywood movies at the time that I didn’t even contemplate seeing it in the theater. Huge mistake. Not only is it absolutely amazing, it was in 3D. Not the static, pointless, 3D either. We’re talking the lovingly crafted kind. Now I pay much closer attention, and don’t automatically dismiss any movie in a genre of interest before doing my research.
I’m kind of depressed now. What were we talking about?
Oh yes… Dredd.
It’s one of the very best action movies made in the last 20 years. There was talk of making it into a TV series. Didn’t happen. There was also a petition to make a sequel. Nope. Well, at least we have Dredd. It’s a thing of pitch black beauty.
On January 30, 1972 British troops opened fire on a civil rights protest in Ireland. This is a well-made dramatization of the events. From what I have read, it is historically accurate, minus a few minor errors. Bloody Sunday is just as grim and violent as you would imagine, but important viewing for everyone.
I didn’t expect much when I first saw this film. I ended up very pleasantly surprised. It’s an excellent thriller that looks damn-near perfect. Nocturnal Animals is more centered in drama than violence, but it’s still very dark in all the best ways. Some critics even called it “cynical.” No wonder I liked it so much.
This is Akira Kurasawa’s samurai adaptation of Shakespeare’s King Lear. I was a twelve year old Japanophile back when this came out, and begged my mom to take me. It was not at all what I expected. I was probably hoping for something closer to Revenge of the Ninja. However it left an impression on this future cinema nerd for sure. This is a deliberately paced, epic drama, with some impressive fight and battle sequences. The title translates to “chaos,” and there’s a lot of that too. Other than the fact that this is a nearly perfect work of filmmaking, there is one part that makes this absolute Anomalous Cinema. A pitch black post-battle sequence that is so morbidly beautiful that it absolutely blew my mind the last time I watched the film. The imagery, along with Tōru Takemitsu’s fantastic score, make for one of the most powerful scenes I’ve ever experienced. I feel sorry for my mom, but it wasn’t nearly as traumatic as when she took me to see Full Metal Jacket. I’m positive she regretted that choice.
As you may know, I am a huge fan of director Ben Wheatley (High-Rise, Rebecca, and Free Fire have all been recommended here). This is one of his most bizarre films, and I thoroughly enjoyed it. It’s a dark psychedelic experience set in 1648. Think Altered States meets a period Hammer Horror film. It is slower paced than some of than director’s other work, but you will not be bored. This is truly original filmmaking that is not to be missed. Also, if you happen to have The Criterion Channel, I highly recommend you check out Wheatley’s Kill List.
Not available on domestic Blu-ray (out of print).
If you are a fan of Anomalous Cinema please consider donating any amount via Paypal using this secure link. Thanks!
A trained assassin can take over any person, and use their body to do the killing. This beautifully lensed film starts with a bang and does not let up. Lead actress Andrea Riseborough is spot on, and Christopher Abbott (from the very good Catch 22 mini-series) is a perfect choice too. This film features innovative looking dark psychedelic interludes, which up the game on SpectreVision (who produced Mandy also starring Riseborough). Possessor also features pretty graphic sex, and very graphic violence with some excellent gore FX. There’s even a pseudo J&B bottle nod to Italian horror films of yesteryear. Jim Williams (Kill List, Sightseers) provided a top-notch dark ambient electronic score that sounded killer in headphones. Yes, yes… this was written and directed by David Cronenberg’s son, so there are nods to Videodrome and Existenz (which also starred Jennifer Jason Leigh), but they are handled in a really smart and next-level way. You will have no idea where the movie will end up, and it’s wonderful. Pitch black but wonderful.
This is simply a very good, deliberately paced, revenge drama. The artwork might make you think Bad Day… is a violent shoot-em-up. No, but that’s really ok. The performances by Nigel O’Neill and Susan Lynch alone make it well worth a watch.
Nearly ten years ago my partner Suzie dragged me to see Alexander McQueen’s exhibition at The Met in New York. I was not psyched to wait in line for something I wasn’t particularly interested in. Once we got into the show, my feelings quickly changed. I loved what I was seeing, especially the dark influences like Jack the Ripper and Joel-Peter Witkin. I walked out of museum an official Alexander McQueen fan. Suzie and I watched this documentary as soon as it cane out and absolutely loved it. This is obviously a must-see for fashion enthusiasts, and I would recommend this film to anyone interested in art as well. Before I saw that exhibition I didn’t understand the two worlds had such compelling areas of crossover.
This recommendation is specifically for fans of director Ben Wheatley. I have seen the majority of his film output, and have enjoyed everything. The critical response to Rebecca has been unfavorable as Alfred Hitchcock made a very highly regarded adaptation of the book in 1940. I am a fan of Hitchcock but not enough to watch a mystery / romance (the latter being a genre I avoid). That was not the case with Wheatley’s film, which actually happens to be more faithful to the book. I took this 2020 adaptation for what it is, and I enjoyed it. I’m not going to watch it multiple times like High-Rise, but it’s a damn good film that I absolutely suggest Wheatley fans check out. If you like it, take a look at this article for an added layer. Thank you David Graham for nudging me into giving Rebecca a shot.
The Painted Bird is one of the nastiest art films I’ve seen in recent years, and I admire that. Based on the acclaimed book, a boy is trying to survive on his own during WW2. He runs into every kind of weirdo and sadist you can imagine along the way. The plot reminds me of Sade’s Justine, and the cinematography owes much to Andrei Tarkovsky (particularly one of my favorites, Ivan’s Childhood). If you can’t handle simulated violence against animals, definitely skip this movie. The poor creatures are dispatched right from the beginning, and the mayhem continues throughout. The kid gets abused nearly as bad. You’ll see several famous actors in small roles. I found that (and the use of a Wilhelm Scream) a little distracting, but I imagine it helped get this crazy movie made. You can read an interview with the director here. I look forward to seeing what he does next.