Streaming on Netflix | imdb | trailer (English – WATCH THE MOVIE IN SPANISH W/ SUBS)
Netflix delivers another entertaining Spanish thriller. The whole thing is improbable to the extreme, so forget about suspending your disbelief. It doesn’t matter because The Occupant looks great, the performances are spot on, and it has some wonderfully twisted moments. A word of warning though, some people HATED this movie. I’d say watch without expectations. Let the movie do it’s thing. If you generally appreciate the films I recommend on Anomalous Cinema, there’s a good chance you’ll like this as much as I did. Not feeling a little adventurous? Pick something else.
Not available on domestic Blu-ray.
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NOTE: This post has been updated on 6.24.24 to reflect the recent Criterion 4K / Blu-ray edition. It appears that this restored version is currently streaming on The Criterion Channel (as well as the Leo Marks documentary I mention below). I highly recommend you watch this version, preferably the 4K UHD disc.
Mark is a sad, but somehow lovable, serial killer with a unique murder technique. You might not think that would be the plot of one of the very best films ever made, but it is.
The first time I saw this was on a terrible VHS tape. The colors were washed out and the movie was cropped from it’s original aspect ratio. I liked the story but wasn’t impressed. A couple of years later I got to see a restored 35 mm print, and the difference was unbelievable. The saturated colors alone made such a huge impression. Seeing it properly presented made it one of my all time favorite films.
I really want to avoid talking about specific format releases on Anomalous Cinema, but I will ignore that for this one movie. The reason is the Criterion Collection edition. I bought the original DVD version shortly after seeing the film print, that was a very good looking release for the time. The 2024 4K/Blu-ray version is even more amazing looking (arguably perfect). The extras include a long documentary on Leo Marks, who wrote the screenplay (this doc, A Very British Psycho, has been restored and is included in the 2024 Criterion extras). What a mind-blower that was. Marks is one of the most interesting people I’ve ever learned about. We’re talking William S. Burroughs level interesting. I was so fascinated by Leo Marks I read his book “Between Silk and Cyanide: A Codemaker’s War, 1941-1945” even though it has nothing to do with Peeping Tom or movies in general.
My experience with this one has been a gradual revelation. Peeping Tom remains a film that I’ve watched over and over, which is very rare for me.
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Jake Gyllenhaal makes very strange career choices, and I absolutely respect that. In this one he plays a creep like you wouldn’t believe. Nightcrawler is a none-more-black satire that starts slow, but builds into insanity. 100% solid Anomalous Cinema.
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I am not a snob about remakes. I just approach them with a ton of caution (I refused to see Suspiria based on reviews). Sometimes remakes are amazing, like The Thing or The Hills Have Eyes. This one is a damn good “reimagining” of the original 1974 film. I love that movie, but this Pelham is enough of its own story to complement the original. When director Tony Scott (RIP) was good, he was better than most big-budget directors, and this is among his better films. Give this a shot when you’re in the mood for a fast-paced action thriller.
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Well, if this isn’t Anomalous Cinema, I don’t know what is. Here is one of the more art film influenced giallos. Godard’s Weekend came out a year before, and there’s a definite influence. It is also one of the more bizarre entries in the subgenre. Bizarre in the sense it’s surrealistic, and a lot of the set decoration looks like strange contemporary art. Death Laid an Egg is also not as violent or graphic as later gialli, but don’t let that stop you from seeing this one. The cinematography is spot-on, the lead performances are great (I always love to see Jean-Louis Trintignant), and the weird plot will keep your eyes glued to the screen.
There are various versions streaming online. Any of them is worth watching, but if you really enjoy the film, you may want to invest in the 2018 UK import from Nucleus. You can read a very detailed review and breakdown of the various disc versions on Nathaniel Thompson’s excellent Mondo Digital website. His book series DVD Delirium was a big influence on my taste in movies.
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In the ’70s many star-studded thrillers were made (The Towering Inferno, The Poseidon Adventure, etc). None of them really impressed me all that much except this one. The Cassandra Complex is a crazy pebble, that rolls into a crazy snowball, that eventually becomes an avalanche of crazy. This is NOT a five star film. It should be terrible actually, but it’s not. What you get is a very entertaining mess, with seemingly every known working actor of the time thrown in. Get ready for a fun ride on the Crazy Train.
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I saw an early screening of Alexandre Aja’s High Tension at the Philadelphia film fest and really enjoyed it. I hoped that he’d become the next great horror director. That didn’t really happen. However Aja has managed to make several entertaining genre films over the years. Crawl is not as intense as his 2006 reboot of The Hills Have Eyes, but I liked it. It’s a solid, well-constructed, horror thriller with some genuinely chilling moments. Expect no more and you won’t be disappointed.
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I almost didn’t recommend this one as it was on the Netflix Top 10 when it was first released, and has received a lot of press. However, The Platform deserves that attention AND is very much Anomalous Cinema. This movie skillfully blends horror and sci-fi, into a borderline-art film. Now let’s hope this leads to Netflix releasing more even more daring and intelligent weirdo features.
FYI – I recommend if you watch ANY foreign content made after 1990 on Netflix, you do so in it’s original language with subtitles. Netflix’s English dubbing is absolutely horrible 99% of the time.
Not available on Blu-ray.
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Here’s an entertaining Technicolor British horror film starring Peter Cushing (also with Anomalous Cinema favorites Patrick Magee and Christopher Lee). Those facts alone don’t sell you on this? Well, it is not just any old possessed skull. It’s the former head of… the Marquis de Sade himself (insert thunder sound effect here)! In spite of what the poster and trailer want you to think, this is slow, suspenseful horror. Know that going in, and you’ll probably enjoy it.
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Who would have thought that the man behind RoboCop and Showgirls would go on to make an excellent fact-based World War II movie? Not me. I’ve been a fan of most of Paul Verhoeven’s output, but I was still absolutely floored at how good this movie is. I give it my highest recommendation.
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