This is a good early David Fincher film that doesn’t get mentioned often. If you have nothing but contempt for rich people, don’t watch The Game. If you just want to see an intricate thriller that will keep you guessing until the end, you’ll probably enjoy this. It’s not very violent, it’s got zero nudity, but it’s a solid film for adults anyway. Michael Douglas is great, the film has Deborah Unger from Cronenberg’s Crash, and Sean Penn before he went off the rails too. The Game is good cinema that can probably be enjoyed in any state of mind.
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This is the final part of Park Chan-Wook’s loose “Revenge Trilogy” (although it can be watched on it’s own). A woman seeks to right the wrongs of her false imprisonment, and her child being taken away. This film didn’t get as much attention as Oldboy, but it’s arguably just as good. Dark, poetic, funny at times. Oh yes… it’s also brutal as hell.
The domestic Blu-ray is out of print.
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This is a solid crime thriller with some good, at times extremely graphic, bursts of action. The cinematography looks great as well. Saturated colors and deep shadows are featured. It’s nice to see Robert Forster (Jackie Brown, Walking the Edge, Alligator, etc) given lots of screen time. Small Town Crime is an enjoyable dark film, with a lot packed into 90 minutes.
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Most trailers that look like this one equal a garbage film. That is 100% not the case here. You’re Next is a very entertaining combo of horror, action, and comedy. Simple. Watch and enjoy. The cherry on top is that the Mom is Barbara Crampton of Re-Animator and From Beyond.
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I didn’t expect much when I first saw this film. I ended up very pleasantly surprised. It’s an excellent thriller that looks damn-near perfect. Nocturnal Animals is more centered in drama than violence, but it’s still very dark in all the best ways. Some critics even called it “cynical.” No wonder I liked it so much.
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A trained assassin can take over any person, and use their body to do the killing. This beautifully lensed film starts with a bang and does not let up. Lead actress Andrea Riseborough is spot on, and Christopher Abbott (from the very good Catch 22 mini-series) is a perfect choice too. This film features innovative looking dark psychedelic interludes, which up the game on SpectreVision (who produced Mandy also starring Riseborough). Possessor also features pretty graphic sex, and very graphic violence with some excellent gore FX. There’s even a pseudo J&B bottle nod to Italian horror films of yesteryear. Jim Williams (Kill List, Sightseers) provided a top-notch dark ambient electronic score that sounded killer in headphones. Yes, yes… this was written and directed by David Cronenberg’s son, so there are nods to Videodrome and Existenz (which also starred Jennifer Jason Leigh), but they are handled in a really smart and next-level way. You will have no idea where the movie will end up, and it’s wonderful. Pitch black but wonderful.
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I’m picky about horror comedies, but this is a good one. Nicholas Cage does his thing as dad without slipping into Wicker Man level ridiculousness, and Selma Blair is the perfect choice as mom. The pace is pretty relentless, and the end ramps up the crazy even further. The filmmakers have done an admirable job at keeping the movie effective, and not as silly as it could have easily become in lesser hands.
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This is a damn good horror film based on Clive Barker’s story “The Last Illusion,” and directed by the man himself. I’d say this only comes in second to Hellraiser among films he’s helmed. It’s cheesy as hell. In spite of that fact, Barker thankfully ditched the one-liners that plagued Nightbreed. I watched this again recently, for the first time in ages, and found the cheese on display quite charming. If you are a Seinfeld fan, the Fromage Knob is turned to 11, because the bad guy was once George Costanza’s boss Mr. Kruger. Don’t take that the wrong way, Daniel Von Bargen (RIP), was a fantastic actor, and this is his best role by far. It’s just hard to not picture him menacing George instead of Famke Jansen. Two major plusses for this film are that it’s extremely gory, and there’s a ton of Barker’s awesome art and design on display. The CG is a little dated, but it didn’t bother me all that much. This is some recommended anomalous horror my friends.
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Streaming on Netflix | imdb | trailer (English – WATCH THE MOVIE IN SPANISH W/ SUBS)
Netflix delivers another entertaining Spanish thriller. The whole thing is improbable to the extreme, so forget about suspending your disbelief. It doesn’t matter because The Occupant looks great, the performances are spot on, and it has some wonderfully twisted moments. A word of warning though, some people HATED this movie. I’d say watch without expectations. Let the movie do it’s thing. If you generally appreciate the films I recommend on Anomalous Cinema, there’s a good chance you’ll like this as much as I did. Not feeling a little adventurous? Pick something else.
Not available on domestic Blu-ray.
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NOTE: This post has been updated on 6.24.24 to reflect the recent Criterion 4K / Blu-ray edition. It appears that this restored version is currently streaming on The Criterion Channel (as well as the Leo Marks documentary I mention below). I highly recommend you watch this version, preferably the 4K UHD disc.
Mark is a sad, but somehow lovable, serial killer with a unique murder technique. You might not think that would be the plot of one of the very best films ever made, but it is.
The first time I saw this was on a terrible VHS tape. The colors were washed out and the movie was cropped from it’s original aspect ratio. I liked the story but wasn’t impressed. A couple of years later I got to see a restored 35 mm print, and the difference was unbelievable. The saturated colors alone made such a huge impression. Seeing it properly presented made it one of my all time favorite films.
I really want to avoid talking about specific format releases on Anomalous Cinema, but I will ignore that for this one movie. The reason is the Criterion Collection edition. I bought the original DVD version shortly after seeing the film print, that was a very good looking release for the time. The 2024 4K/Blu-ray version is even more amazing looking (arguably perfect). The extras include a long documentary on Leo Marks, who wrote the screenplay (this doc, A Very British Psycho, has been restored and is included in the 2024 Criterion extras). What a mind-blower that was. Marks is one of the most interesting people I’ve ever learned about. We’re talking William S. Burroughs level interesting. I was so fascinated by Leo Marks I read his book “Between Silk and Cyanide: A Codemaker’s War, 1941-1945” even though it has nothing to do with Peeping Tom or movies in general.
My experience with this one has been a gradual revelation. Peeping Tom remains a film that I’ve watched over and over, which is very rare for me.
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